
U.S. Sen. Dick Durbin speaks during the Illinois Democratic County Chairs’ Association brunch on Aug. 13, 2025, in Springfield, Illinois. (Dominic Di Palermo/Chicago Tribune/Tribune News Service via Getty Images)
When I was in college, I volunteered on the campaign of Dick Durbin for his first run for the U.S. Senate seat for Illinois. I remember knocking on doors and speaking to voters about his vision for fairness, compassion, and opportunity. Over the decades since then, I’ve admired his consistency, integrity, and leadership. From his advocacy for civil rights and consumer protections to his steadfast defense of democracy, Senator Durbin has been a voice I have long trusted.
That’s why his recent decision to side with Republicans on a measure to end the federal government shutdown deeply troubles me. According to multiple reports, in November 2025, Senator Durbin joined seven other Democrats in voting to advance a Republican-led continuing resolution intended to reopen the government (Sfondeles, 2025; Grisales & Garrett, 2025). While the bill provided temporary funding and back pay for federal workers, it failed to extend the enhanced Affordable Care Act (ACA) premium tax credits—a lifeline that has helped millions of Americans maintain access to health insurance since 2021 (Associated Press, 2025).
The expiration of these enhanced ACA tax credits could cause premiums to skyrocket, pushing millions off their insurance plans and destabilizing the individual health insurance market (Associated Press, 2025). For years, Democrats have fought to expand and secure these subsidies precisely because they save lives. Abandoning that effort, even temporarily, risks the health and well-being of ordinary families who cannot absorb the cost of rising premiums.
Senator Durbin defended his vote by calling the legislation “imperfect” but “necessary” to alleviate the growing strain on federal workers and agencies during the prolonged shutdown (Grisales & Garrett, 2025). Yet to me, this decision reflects a dangerous form of pragmatism—one that accepts short-term political relief at the expense of long-term justice.
Even more alarming is the fact that this measure arose from Republican efforts to hold the Supplemental Nutrition Assistance Program (SNAP) hostage in budget negotiations (Potter et al., 2025). Forcing millions of Americans to face hunger in order to extract political concessions is beyond comprehension and morally unacceptable. It reveals the degree to which the GOP is willing to use the most vulnerable members of society as bargaining chips—a tactic that, if not strongly resisted, will surely be used again in the future.
The move sets a disturbing precedent: if political leverage can be gained by threatening to withhold food and healthcare from those in need, what moral boundary remains? Senator Durbin, as the second-ranking Democrat in the Senate, had the power to send a message that such tactics would never be rewarded. Instead, his vote may embolden those who see cruelty as an effective negotiation strategy.
I do not write this out of anger, but out of heartbreak. I have admired Senator Durbin for much of my adult life. His record on immigration, education, and reproductive rights remains admirable. Yet in this moment, he seems to have forgotten that principles, not expedience, are what distinguish true leadership from mere management.
Ending the shutdown matters—but ending it on Republican terms and without protecting healthcare and nutrition assistance for millions sends the wrong message about what our values are worth. Illinois Democrats, including several prominent leaders, have voiced similar disappointment, warning that this compromise “is not a deal—it’s an empty promise” (Crisp, 2025).
As one of the people who once proudly campaigned for Senator Durbin’s first Senate victory, I hope he will remember that Illinoisans have long expected moral courage from him—not accommodation. The enhanced ACA tax credits must be renewed, and SNAP must be protected, not weaponized. The lives and dignity of millions of Americans depend on it.
References
Associated Press. (2025, November 10). An emerging shutdown deal doesn’t extend expiring health subsidies. AP News. https://apnews.com/article/2b5ae3651ff16783a00e00dc1ce264bf
Crisp, J. (2025, November 10). Illinois Democrats at odds with Durbin over vote to end shutdown. Daily Herald. https://www.dailyherald.com/20251110/us-congress-politics/illinois-democrats-at-odds-with-durbin-over-vote-to-end-shutdown/
Grisales, C., & Garrett, L. (2025, November 10). Senators, including Dick Durbin, take first step toward reopening the government after historic shutdown. WGLT (Illinois Public Radio). https://wglt.org/illinois/2025-11-10/senators-including-dick-durbin-take-first-step-toward-reopening-the-government-after-historic-shutdown
Potter, D., Franco, M. A., Peters, S., Wooten, T., Stimers, P., Roberson, J. E., & DeLacy, C. (2025, November 10). Senate advances funding bill to end record shutdown. Holland & Knight Alert. https://www.hklaw.com/en/insights/publications/2025/11/senate-advances-funding-bill-to-end-record-shutdown
Sfondeles, T. (2025, November 10). Sen. Dick Durbin facing backlash once again for joining GOP in measure to end government shutdown. Chicago Sun-Times. https://chicago.suntimes.com/us-senate/2025/11/10/sen-dick-durbin-compromise-measure-federal-government-shutdown-end-democrats-backlash
Sutherland, C. (2025, November 10). The eight senators who broke with Democrats to end the government shutdown. TIME. https://time.com/7332610/8-senators-broke-with-democrats-to-end-government-shutdown/


Bad Bunny, the Super Bowl, and the Politics of Identity
By Katherine Walter
On February 11, 2026
In cultural politics
SANTA CLARA, CALIFORNIA – FEBRUARY 08: Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi’s Stadium on February 08, 2026 in Santa Clara, California. (Photo by Thearon W. Henderson/Getty Images)
The 2026 Super Bowl halftime show, headlined by Bad Bunny, quickly became one of the most culturally and politically charged performances in recent memory. Announced months in advance as the featured performer, Bad Bunny’s selection already signaled a shift in the NFL’s cultural positioning, reflecting the growing influence of Latino audiences in American media (CBS News, 2026). When he ultimately took the stage, performing largely in Spanish and centering Puerto Rican identity, the symbolism was unmistakable.
The performance was widely interpreted not just as entertainment, but as cultural assertion. Spanish-language lyrics dominated the set, and the staging highlighted themes of Latino pride, resilience, and collective identity. El País (2026) described the show as a “protest dance,” suggesting that the performance functioned as a statement of presence in a political climate often marked by contentious immigration debates and nationalist rhetoric. Rather than presenting overt political slogans, the symbolism operated through visibility: Latino culture on the largest televised stage in the United States.
To me, that is what made the performance powerful. It was not aggressive. It did not attack policy. It celebrated identity. The choice to foreground Spanish was not exclusionary—it was reflective of the lived reality of millions of Americans. In a country where Spanish is the second most spoken language, hearing it dominate the halftime stage felt less like disruption and more like acknowledgment. Representation, in this case, became a form of quiet resistance.
President Donald Trump responded sharply. According to ABC News (2026), Trump called the halftime show a “slap in the face to our country.” Reuters (2026) reported that he described the performance as “absolutely terrible,” while People (2026) noted his criticism that “nobody understands a word this guy is saying.” His reaction framed the performance not as a cultural celebration but as a deviation from traditional American norms.
The criticism did not stop with the President. Entertainment Weekly (2026) reported that House Republicans called for an investigation into the halftime show, citing concerns over its choreography and presentation. The backlash extended beyond language into broader anxieties about morality, cultural standards, and national identity. Meanwhile, reactions were far from uniformly negative. The Guardian (2026) documented widespread praise from artists and public figures who described the performance as joyful and affirming, with some viewers saying it made them feel “proudly American.”
That divide reveals something significant. The controversy was not really about music or choreography. It was about competing visions of America. One vision views national identity as rooted in linguistic and cultural uniformity. The other sees American identity as evolving, multilingual, and shaped by migration and diversity. Bad Bunny’s performance fell squarely into the latter camp.
In my view, the halftime show reflected the America that already exists rather than the one some political leaders nostalgically imagine. A multilingual performance on the Super Bowl stage does not diminish American identity—it expands it. Cultural confidence means embracing diversity, not fearing it. The polarized reaction to the show underscores how entertainment events have become symbolic arenas where broader political tensions play out.
Ultimately, the 2026 Super Bowl halftime show was more than a concert. It was a cultural mirror. Whether one saw it as celebratory or confrontational depended largely on how one defines Americanness itself. The performance—and the reaction from President Trump—demonstrates that debates over language, culture, and belonging remain central to American political life.
References
ABC News. (2026). Trump calls Bad Bunny’s Super Bowl halftime show a “slap in the face to our country.” https://abcnews.go.com/US/trump-calls-bad-bunnys-super-bowl-halftime-show/story?id=129980124
CBS News. (2026). Bad Bunny will headline the 2026 Super Bowl halftime show. https://www.cbsnews.com/news/bad-bunny-2026-super-bowl-halftime-show/
El País. (2026, February 8). Bad Bunny’s Super Bowl: The protest dance of Latinos in the US. https://english.elpais.com/culture/2026-02-08/bad-bunnys-super-bowl-the-protest-dance-of-latinos-in-the-us.html
Entertainment Weekly. (2026). House Republicans call to investigate Bad Bunny Super Bowl halftime show over “widespread twerking, grinding, pelvic thrusts.” https://ew.com/house-republicans-call-for-investigation-of-bad-bunny-super-bowl-halftime-show-11904174
People. (2026). Trump lashes out at Bad Bunny’s Super Bowl halftime show: “Nobody understands a word this guy is saying.” https://people.com/super-bowl-2026-trump-lashes-out-bad-bunny-halftime-show-11902396
Reuters. (2026, February 9). Trump says Bad Bunny’s Super Bowl halftime was “absolutely terrible.” https://www.reuters.com/world/us/trump-says-bad-bunnys-super-bowl-halftime-show-was-absolutely-terrible-2026-02-09/
The Guardian. (2026, February 9). “Made me feel proudly American”: Stars react to Bad Bunny’s Super Bowl show. https://www.theguardian.com/music/2026/feb/09/reactions-bad-bunny-super-bowl-halftime-show