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SANTA CLARA, CALIFORNIA – FEBRUARY 08: Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi’s Stadium on February 08, 2026 in Santa Clara, California. (Photo by Thearon W. Henderson/Getty Images)

The 2026 Super Bowl halftime show, headlined by Bad Bunny, quickly became one of the most culturally and politically charged performances in recent memory. Announced months in advance as the featured performer, Bad Bunny’s selection already signaled a shift in the NFL’s cultural positioning, reflecting the growing influence of Latino audiences in American media (CBS News, 2026). When he ultimately took the stage, performing largely in Spanish and centering Puerto Rican identity, the symbolism was unmistakable.

The performance was widely interpreted not just as entertainment, but as cultural assertion. Spanish-language lyrics dominated the set, and the staging highlighted themes of Latino pride, resilience, and collective identity. El País (2026) described the show as a “protest dance,” suggesting that the performance functioned as a statement of presence in a political climate often marked by contentious immigration debates and nationalist rhetoric. Rather than presenting overt political slogans, the symbolism operated through visibility: Latino culture on the largest televised stage in the United States.

To me, that is what made the performance powerful. It was not aggressive. It did not attack policy. It celebrated identity. The choice to foreground Spanish was not exclusionary—it was reflective of the lived reality of millions of Americans. In a country where Spanish is the second most spoken language, hearing it dominate the halftime stage felt less like disruption and more like acknowledgment. Representation, in this case, became a form of quiet resistance.

President Donald Trump responded sharply. According to ABC News (2026), Trump called the halftime show a “slap in the face to our country.” Reuters (2026) reported that he described the performance as “absolutely terrible,” while People (2026) noted his criticism that “nobody understands a word this guy is saying.” His reaction framed the performance not as a cultural celebration but as a deviation from traditional American norms.

The criticism did not stop with the President. Entertainment Weekly (2026) reported that House Republicans called for an investigation into the halftime show, citing concerns over its choreography and presentation. The backlash extended beyond language into broader anxieties about morality, cultural standards, and national identity. Meanwhile, reactions were far from uniformly negative. The Guardian (2026) documented widespread praise from artists and public figures who described the performance as joyful and affirming, with some viewers saying it made them feel “proudly American.”

That divide reveals something significant. The controversy was not really about music or choreography. It was about competing visions of America. One vision views national identity as rooted in linguistic and cultural uniformity. The other sees American identity as evolving, multilingual, and shaped by migration and diversity. Bad Bunny’s performance fell squarely into the latter camp.

In my view, the halftime show reflected the America that already exists rather than the one some political leaders nostalgically imagine. A multilingual performance on the Super Bowl stage does not diminish American identity—it expands it. Cultural confidence means embracing diversity, not fearing it. The polarized reaction to the show underscores how entertainment events have become symbolic arenas where broader political tensions play out.

Ultimately, the 2026 Super Bowl halftime show was more than a concert. It was a cultural mirror. Whether one saw it as celebratory or confrontational depended largely on how one defines Americanness itself. The performance—and the reaction from President Trump—demonstrates that debates over language, culture, and belonging remain central to American political life.

References

ABC News. (2026). Trump calls Bad Bunny’s Super Bowl halftime show a “slap in the face to our country.” https://abcnews.go.com/US/trump-calls-bad-bunnys-super-bowl-halftime-show/story?id=129980124

CBS News. (2026). Bad Bunny will headline the 2026 Super Bowl halftime show. https://www.cbsnews.com/news/bad-bunny-2026-super-bowl-halftime-show/

El País. (2026, February 8). Bad Bunny’s Super Bowl: The protest dance of Latinos in the US. https://english.elpais.com/culture/2026-02-08/bad-bunnys-super-bowl-the-protest-dance-of-latinos-in-the-us.html

Entertainment Weekly. (2026). House Republicans call to investigate Bad Bunny Super Bowl halftime show over “widespread twerking, grinding, pelvic thrusts.” https://ew.com/house-republicans-call-for-investigation-of-bad-bunny-super-bowl-halftime-show-11904174

People. (2026). Trump lashes out at Bad Bunny’s Super Bowl halftime show: “Nobody understands a word this guy is saying.” https://people.com/super-bowl-2026-trump-lashes-out-bad-bunny-halftime-show-11902396

Reuters. (2026, February 9). Trump says Bad Bunny’s Super Bowl halftime was “absolutely terrible.” https://www.reuters.com/world/us/trump-says-bad-bunnys-super-bowl-halftime-show-was-absolutely-terrible-2026-02-09/

The Guardian. (2026, February 9). “Made me feel proudly American”: Stars react to Bad Bunny’s Super Bowl show. https://www.theguardian.com/music/2026/feb/09/reactions-bad-bunny-super-bowl-halftime-show

Sex Toys on the Court: Misogyny in the WNBA

By Katherine Walter

On August 10, 2025

In Women's National Basketball Association

COLLEGE PARK, GEORGIA – JULY 29: Jordin Canada #3 of the Atlanta Dream drives against Carla Leite #0 of the Golden State Valkyries during the second quarter at Gateway Center Arena on July 29, 2025 in College Park, Georgia. (Photo by Kevin C. Cox/Getty Images)

During several WNBA games in the summer of 2025, a disturbing trend emerged: spectators began throwing sex toys onto the court, disrupting play and creating unsafe and degrading conditions for players and fans. The first widely reported incident occurred on July 29, 2025, during a matchup between the Atlanta Dream and the Golden State Valkyries, when a lime-green dildo landed on the court and halted the game (Glamour, 2025; Washington Post, 2025). In the weeks that followed, similar disruptions occurred in Chicago, Los Angeles, Phoenix, and New York, with at least six games affected despite arrests and increased security measures (Andscape, 2025). One incident in New York nearly struck a 12-year-old spectator, underscoring the physical danger posed by these objects (New York Post, 2025).

Law enforcement identified and arrested several individuals connected to the incidents. Delbert Carver, 23, was arrested in connection with the initial Atlanta game disruption, while 18-year-old Kaden Lopez was arrested in Phoenix after striking a man and his 9-year-old niece with a thrown sex toy (Washington Post, 2025; Them, 2025). Both claimed their actions were impulsive pranks. Later, a cryptocurrency meme-coin group took credit for orchestrating the stunts as a promotional gimmick for “Green Dildo Coin” (ESPN, 2025).

While some online commentators framed the events as harmless or absurd, such interpretations ignore the deeper implications. WNBA athletes already contend with systemic bias and underrepresentation in sports media. By introducing an explicitly sexual object into their workplace, these incidents reinforce the sexualization of female athletes and minimize their professional achievements, reducing them to objects of ridicule and harassment. Cheryl Reeve, coach of the Minnesota Lynx, criticized the acts as “the latest version” of the ongoing sexualization of women in sports (Global News, 2025). Andscape’s coverage was even more direct, framing the behavior as a perpetuation of rape culture, noting that a man throwing a phallic object at a women’s sporting event is not comedy but an assertion of dominance (Andscape, 2025).

The incidents also illustrate the interplay between misogyny, viral marketing, and meme culture. In an era where online clout often outweighs human decency, such stunts are engineered for virality rather than protest, turning women’s sports into backdrops for digital spectacle (The Guardian, 2025). As the WNBA experiences rising popularity and visibility, with athletes like Sophie Cunningham drawing growing attention, the behavior can also be seen as a reactionary attempt to undermine women’s empowerment (Glamour, 2025).

Ultimately, these disruptions are not harmless pranks but acts of harassment that threaten both the safety and dignity of athletes and spectators. They signal the persistence of a culture that devalues women’s athletic accomplishments and views women’s bodies as fair game for public ridicule. Respect for female athletes must be non-negotiable, and addressing this behavior requires a collective response from leagues, security personnel, media, and fans to ensure that the court remains a space for competition, not degradation.

References

Andscape. (2025, August 8). Sex toys on the court? This is about more than the WNBA. Andscape. https://andscape.com/features/wnba-sex-toys-on-court/

ESPN. (2025, August 7). Crypto group says it orchestrated WNBA sex toy tosses. ESPN. https://www.espn.com/wnba/story/_/id/45923322/crypto-group-says-orchestrated-sex-toy-tosses-wnba-games

Glamour. (2025, August 8). Throwing dildos at WNBA games has become a trend. We need to talk about it. Glamour. https://www.glamour.com/story/throwing-dildos-wnba-games-trend

Global News. (2025, August 9). WNBA sex toys thrown on court: Coach calls it latest sexualization of women. Global News. https://globalnews.ca/news/11323758/wnba-sex-toys-thrown-on-court-crypto/

New York Post. (2025, August 8). More sex toys thrown during Sky-Dream game despite recent arrests: “It’s dumb.” New York Post. https://nypost.com/2025/08/08/sports/more-sex-toys-thrown-during-sky-dream-game-despite-recent-arrests/

The Guardian. (2025, August 8). WNBA sex toy throwing shows meme culture’s shameful collapse. The Guardian. https://www.theguardian.com/sport/2025/aug/08/wnba-sex-toy-throwing-meme-culture-shame-collapse

Them. (2025, August 6). Man arrested after throwing sex toy at WNBA game. Them. https://www.them.us/story/wnba-dildo-atlanta-dream

Washington Post. (2025, August 9). How a sex toy meme-coin hijacked the WNBA. The Washington Post. https://www.washingtonpost.com/sports/2025/08/09/wnba-sex-toys-crypto-meme-coin-timeline/

The Legacy I Hope to Leave Behind

By Katherine Walter

On July 1, 2025

In reflection

Image: ChatGPT

Legacy is not built all at once. It takes shape over time—quietly, unevenly—through the choices we make, the truths we speak, and the lives we touch. I don’t imagine mine will be written in bold headlines or etched into stone. But I hope it will be felt in subtler, more enduring ways. In the freedom someone claims because I once stood up. In the insight sparked by something I taught or wrote. In the love that lingers in the spaces I leave behind.

I’ve lived many chapters in this life—some of them linear, others far more tangled. I began as a student of anthropology, drawn to the study of culture, meaning, and human complexity. It taught me to listen deeply, to question what seems natural, and to honor what is often ignored or devalued. Anthropology gave me not just tools for understanding others—it gave me a way to understand myself. As a transgender woman, as a spiritual seeker, as someone shaped by forces both seen and hidden, I learned to situate my life within broader currents of history and identity. That perspective never left me.

Eventually, I put my education into service in a different way—as a SNAP program specialist with the USDA. There, I saw how policy lives not in abstract theories but in the faces of people trying to feed their families. I worked at the intersection of administration and survival. It gave me a profound respect for the dignity of everyday life, and a deepened sense of duty to advocate for those so often silenced by red tape and economic cruelty. That role grounded me in the real: in food, in need, in systems and the people caught within them.

But even before all of that, I served my country in uniform. I am a U.S. Navy veteran. I served as a submariner and fought in Desert Storm. It was a life of discipline, of structure, of submerged tension—both literal and emotional. That chapter gave me a close relationship with mortality, with silence, with sacrifice. And later, it gave me the courage to live my truth. Because once you’ve survived war, you learn how little time there really is for pretending.

Though my time teaching in a classroom was brief, it was profoundly meaningful. Education, I believe, is one of the most radical forms of love and hope. I did not stay long enough to become a fixture, but I hope I was a spark. I hope that somewhere, a student remembers me not as perfect, but as present. As someone who saw them clearly, challenged them to think differently, and held space for who they were becoming.

Throughout it all, I’ve remained a writer, a creator, a witness. I write not just to tell stories, but to make space—for desire, for defiance, for complex and beautiful lives that rarely make it into the mainstream. I write for those on the margins, for the ones building new worlds from the ruins of the old, and for the future selves who need proof that we were here.

If I am remembered, I hope it is as someone who lived with fierce honesty. Who loved without shame. Who fought for justice, even when she was exhausted. Who stood in her womanhood and her queerness not as burdens, but as blessings.

I hope my legacy is not one of perfection, but of permission. Permission to live. To change. To desire. To dream beyond the roles assigned at birth or by circumstance. I hope I leave behind courage in those who need it. Gentleness in those taught to harden. Fire in those told to shrink.

And if some future soul—browsing an archive, reading a quote, hearing a story—finds a piece of me and thinks, “Because she lived, I feel less alone,” then that is all the immortality I will ever need.

A Militarized Spectacle and a Day of Defiance

By Katherine Walter

On June 14, 2025

In Donald Trump

CHICAGO, ILLINOIS, UNITED STATES – JUNE 14: Thousands of demonstrators gathered at Daley Plaza, holding up signs and vocalizing slogans as they participated in a large march across downtown Chicago on June 14 to voice their opposition to the policies of President Donald Trump’s administration on ‘No Kings’ Day national protest.(Photo by Jacek Boczarski /Anadolu Agency via Getty Images) (Photo by Jacek Boczarski/Anadolu via Getty Images)

Today, June 14, 2025, marks a symbolic and deeply contested moment in American political life. What should have been a celebration of national unity and civic pride—the 250th anniversary of the U.S. Army and Flag Day—has instead become a flashpoint for ideological division and widespread protest. In Washington, D.C., former President Donald Trump presided over a lavish and heavily militarized parade, coinciding with his 79th birthday, a convergence of personal and national milestones that critics say dangerously conflates the state with one man’s cult of personality (Wise and Lonsdorf 2025).

The military parade included over 7,000 troops, armored tanks, fighter jets, and even vintage WWII aircraft rumbling down Constitution Avenue, where an 18-mile security perimeter cordoned off large swaths of the city (Associated Press, 2025; Times of India, 2025). The estimated cost of the spectacle—between $25 and $45 million—was shouldered by a combination of government funds and undisclosed private donations (The Sun, 2025). Trump’s speech delivered at the opening of the parade was infused with nationalist rhetoric, invoking military obedience, patriotism, and “loyalty above politics.” Conspicuously absent was any mention of democratic norms, freedom of the press, or checks and balances. In this omission, critics say, lies the deeper threat of the parade: not simply the flaunting of military might, but the implicit message that personal rule and military force are superior to democratic deliberation.

This view has been sharply contested across the nation today through an estimated 2,000 protests organized under the banner of “No Kings Day” (Archie, 2025). These grassroots actions, held in nearly every state, serve as a counter-narrative to the parade’s pageantry. Demonstrators gathered in city parks, college campuses, public squares, and outside federal buildings to denounce what they see as a creeping authoritarianism that seeks to replace public service with personal loyalty, and democratic power with centralized control. As one protest sign read in Boston, “Democracy doesn’t need tanks. It needs voters.”

According to NPR’s reporting, “No Kings Day” is more than a single-day action—it is part of an ongoing movement rooted in civic resistance to the iconography of authoritarianism (Wise and Lonsdorf 2025). Protestors cite not only the militarization of public spaces, but also the Trump-era erosion of institutional norms: court-stacking, attacks on journalists, politicization of the Department of Justice, and the increasing normalization of dehumanizing rhetoric toward immigrants and political opponents. As one organizer in Chicago explained, “This is not about left or right. It’s about the line between democracy and dictatorship.”

In Seattle, protestors formed a human chain around the local federal courthouse. In Austin, a group of veterans read aloud passages from the Constitution in front of the state capitol. In New York, an interfaith coalition gathered at Riverside Church to pray for the resilience of American democracy. Many rallies included signs bearing slogans like “No Throne in the White House” and “The Republic, Not the Emperor.”

The irony of staging a military parade ostensibly to celebrate freedom while thousands gather to protest against perceived tyranny was not lost on foreign observers. Le Monde in France called the day “a surreal juxtaposition of liberty and submission.” German outlets compared the parade to historical shows of power under monarchies and fascist regimes. And in Canada, the phrase “No Kings” trended across social media, boosted by solidarity rallies in Toronto and Vancouver.

The optics of the parade—and its timing—are particularly provocative. According to NPR (Wise and Lonsdorf 2025), the event was initially pitched by Trump’s advisors as a “celebration of American greatness,” but it quickly evolved into what one anonymous source described as “theatrical power projection.” Though the Army’s 250th anniversary offers a legitimate historical milestone, critics argue that wrapping it around Trump’s personal brand diminishes the institution’s apolitical legacy. “This isn’t about honoring the military,” said Dr. Nathaniel Cortez, a historian of civil-military relations. “It’s about co-opting the military to serve political theater.”

In the past, presidential celebrations of the military have been framed by humility and respect for civilian oversight. Trump’s approach, however, recalls more disturbing precedents: Charles de Gaulle’s Bastille Day parade in 1968 during a political crisis, or the Soviet-style parades of Red Square. Such displays function as political pageants designed to link the identity of the leader to the strength of the state. That is precisely what many Americans protested against today.

Moreover, the fusion of military ritual with personal celebration—Trump’s birthday being the secondary justification for the date—signals a transformation of public commemoration into an extension of personal mythology. The implication is subtle but sinister: that the nation’s power flows not from the people but from the person who commands the spectacle. As NPR (Wise and Lonsdorf 2025) noted, the parade’s symbolism mirrors that of dynastic traditions where leaders mark their rule not through elections, but through choreographed shows of loyalty and grandeur.

Even Trump’s defenders have struggled to explain why a peacetime display of this magnitude is necessary, especially given its cost. Some Republican lawmakers voiced quiet discomfort but avoided public criticism. Others leaned into the cultural symbolism, echoing Trump’s call for “patriotic renewal.” In contrast, Democratic leaders have been blunt in their condemnation. Senator Ayanna Hartsfield (D-MA) called the parade “an absurd coronation fantasy that has no place in a constitutional republic.”

In this broader context, “No Kings Day” is not simply a reaction to a parade. It is a demand for clarity about what kind of country the United States aspires to be. The protestors are asking fundamental questions: Does patriotism require submission to military power, or is it best expressed through dissent? Is democracy sustained by displays of force, or by critical, engaged citizenship? Who ultimately holds the power—the people or the personalities?

By evening, as the sun set over the National Mall and the last aircraft flew over the Lincoln Memorial, the contrast between the military’s rumble and the people’s chants could not have been more distinct. One was loud, orchestrated, and state-sanctioned. The other was messy, diverse, and democratic.

It is easy to become desensitized to the spectacle. But moments like this one call for vigilance. Authoritarianism rarely arrives at once. It comes in increments—in normalization, in silence, in distraction. Today, many Americans refused to be silent or distracted. Instead, they marched, spoke, resisted, and insisted: there are no kings here.

References

Archie, A. (2025, June 14). ‘No Kings’ protests against Trump planned nationwide to coincide with military parade. NPR. https://www.npr.org/2025/06/14/nx-s1-5432708/no-kings-protests-military-parade

Associated Press. (2025, June 14). The Army is set to celebrate 250 years with a parade that coincides with Trump’s birthday. https://apnews.com/article/4cca4da0e89908d39c820240744375a1

Bauer, J. (2025, June 13). Major ‘No Kings Day’ protest brewing. New York Post. https://nypost.com/2025/06/13/major-no-kings-day-protest-brewing-amid-military-parade-plans/

The Cut. (2025, June 14). What to Know About ‘No Kings Day’. https://www.thecut.com/article/no-kings-day-protests-what-to-know.html

The Sun. (2025, June 14). Trump parade LIVE: Crowds begin to gather in Washington DC. https://www.the-sun.com/news/14479749/donald-trump-us-army-parade-birthday-live/

Times of India. (2025, June 14). Donald Trump’s 79th birthday: Washington to host US Army parade and celebrations on June 14. https://timesofindia.indiatimes.com/world/us/donald-trumps-79th-birthday-washington-to-host-us-army-parade-and-celebrations-on-june-14/articleshow/110044218.cms

Washington Post. (2025, June 13). ‘No Kings’ protests nationwide to push back on Trump’s ‘overreach’. https://www.washingtonpost.com/nation/2025/06/13/no-kings-protest-anti-trump-army-parade/

Wise, A. & Lonsdorf, K. (2025, June 14). Trump marks Army anniversary and birthday with military parade in D.C. NPR. https://www.npr.org/2025/06/14/nx-s1-5429660/military-parade-trump-army-anniversary-birthday