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Bad Bunny, the Super Bowl, and the Politics of Identity

SANTA CLARA, CALIFORNIA – FEBRUARY 08: Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi’s Stadium on February 08, 2026 in Santa Clara, California. (Photo by Thearon W. Henderson/Getty Images)

The 2026 Super Bowl halftime show, headlined by Bad Bunny, quickly became one of the most culturally and politically charged performances in recent memory. Announced months in advance as the featured performer, Bad Bunny’s selection already signaled a shift in the NFL’s cultural positioning, reflecting the growing influence of Latino audiences in American media (CBS News, 2026). When he ultimately took the stage, performing largely in Spanish and centering Puerto Rican identity, the symbolism was unmistakable.

The performance was widely interpreted not just as entertainment, but as cultural assertion. Spanish-language lyrics dominated the set, and the staging highlighted themes of Latino pride, resilience, and collective identity. El País (2026) described the show as a “protest dance,” suggesting that the performance functioned as a statement of presence in a political climate often marked by contentious immigration debates and nationalist rhetoric. Rather than presenting overt political slogans, the symbolism operated through visibility: Latino culture on the largest televised stage in the United States.

To me, that is what made the performance powerful. It was not aggressive. It did not attack policy. It celebrated identity. The choice to foreground Spanish was not exclusionary—it was reflective of the lived reality of millions of Americans. In a country where Spanish is the second most spoken language, hearing it dominate the halftime stage felt less like disruption and more like acknowledgment. Representation, in this case, became a form of quiet resistance.

President Donald Trump responded sharply. According to ABC News (2026), Trump called the halftime show a “slap in the face to our country.” Reuters (2026) reported that he described the performance as “absolutely terrible,” while People (2026) noted his criticism that “nobody understands a word this guy is saying.” His reaction framed the performance not as a cultural celebration but as a deviation from traditional American norms.

The criticism did not stop with the President. Entertainment Weekly (2026) reported that House Republicans called for an investigation into the halftime show, citing concerns over its choreography and presentation. The backlash extended beyond language into broader anxieties about morality, cultural standards, and national identity. Meanwhile, reactions were far from uniformly negative. The Guardian (2026) documented widespread praise from artists and public figures who described the performance as joyful and affirming, with some viewers saying it made them feel “proudly American.”

That divide reveals something significant. The controversy was not really about music or choreography. It was about competing visions of America. One vision views national identity as rooted in linguistic and cultural uniformity. The other sees American identity as evolving, multilingual, and shaped by migration and diversity. Bad Bunny’s performance fell squarely into the latter camp.

In my view, the halftime show reflected the America that already exists rather than the one some political leaders nostalgically imagine. A multilingual performance on the Super Bowl stage does not diminish American identity—it expands it. Cultural confidence means embracing diversity, not fearing it. The polarized reaction to the show underscores how entertainment events have become symbolic arenas where broader political tensions play out.

Ultimately, the 2026 Super Bowl halftime show was more than a concert. It was a cultural mirror. Whether one saw it as celebratory or confrontational depended largely on how one defines Americanness itself. The performance—and the reaction from President Trump—demonstrates that debates over language, culture, and belonging remain central to American political life.

References

ABC News. (2026). Trump calls Bad Bunny’s Super Bowl halftime show a “slap in the face to our country.” https://abcnews.go.com/US/trump-calls-bad-bunnys-super-bowl-halftime-show/story?id=129980124

CBS News. (2026). Bad Bunny will headline the 2026 Super Bowl halftime show. https://www.cbsnews.com/news/bad-bunny-2026-super-bowl-halftime-show/

El País. (2026, February 8). Bad Bunny’s Super Bowl: The protest dance of Latinos in the US. https://english.elpais.com/culture/2026-02-08/bad-bunnys-super-bowl-the-protest-dance-of-latinos-in-the-us.html

Entertainment Weekly. (2026). House Republicans call to investigate Bad Bunny Super Bowl halftime show over “widespread twerking, grinding, pelvic thrusts.” https://ew.com/house-republicans-call-for-investigation-of-bad-bunny-super-bowl-halftime-show-11904174

People. (2026). Trump lashes out at Bad Bunny’s Super Bowl halftime show: “Nobody understands a word this guy is saying.” https://people.com/super-bowl-2026-trump-lashes-out-bad-bunny-halftime-show-11902396

Reuters. (2026, February 9). Trump says Bad Bunny’s Super Bowl halftime was “absolutely terrible.” https://www.reuters.com/world/us/trump-says-bad-bunnys-super-bowl-halftime-show-was-absolutely-terrible-2026-02-09/

The Guardian. (2026, February 9). “Made me feel proudly American”: Stars react to Bad Bunny’s Super Bowl show. https://www.theguardian.com/music/2026/feb/09/reactions-bad-bunny-super-bowl-halftime-show

The National Park Service’s Erasure of Transgender History at Stonewall

The Stonewall National Monument sign is seen as people protest outside the Stonewall Inn in New York, the scene of riots against police raids on the gay bar in 1969, on February 14, 2025, after the word transgender was erased from the National Park Service’s webpage about the riots. (Photo by Kena betancur / AFP) (Photo by KENA BETANCUR/AFP via Getty Images)

In a move that has sparked widespread controversy, the National Park Service (NPS) has removed references to “transgender” individuals and the “T” from the LGBTQ+ acronym on its Stonewall National Monument webpage. This action is widely viewed as an attempt to erase the significant contributions of transgender individuals to LGBTQ+ history, particularly their pivotal role in the 1969 Stonewall Riots.

Established in 2016 by President Barack Obama, the Stonewall National Monument commemorates the 1969 uprising at the Stonewall Inn in New York City, a key event that catalyzed the modern LGBTQ+ rights movement. The monument serves as a historical reminder of the struggle for equality and the continued fight against discrimination (National Park Service, n.d.).

On February 13, 2025, the NPS updated the Stonewall National Monument webpage, removing the term “transgender” and altering the acronym from “LGBTQ+” to “LGB.” This change is aligned with previous federal policies that have sought to define gender strictly as male or female, excluding recognition of transgender identities (The Guardian, 2025). Critics argue that such historical revisionism distorts the reality of past events and undermines the contributions of transgender activists who played a crucial role in the Stonewall Riots (Reuters, 2025).

The decision has been met with widespread backlash from LGBTQ+ advocacy groups, historians, and public officials. Stacy Lentz, co-owner of the Stonewall Inn and an outspoken LGBTQ+ rights advocate, condemned the move, stating that it dishonors the trans community’s role in the struggle for equality (Reuters, 2025). New York Governor Kathy Hochul also criticized the change, calling it “cruel and petty” and emphasizing that New York would not allow transgender individuals’ contributions to be erased (The Guardian, 2025).

Protests have erupted at the Stonewall National Monument, with activists demanding the restoration of the original language that included transgender individuals (CBS News, 2025). Advocates argue that the removal of transgender references is part of a broader effort to marginalize the trans community and erase its historical presence in the fight for LGBTQ+ rights (NBC News, 2025).

Transgender individuals played a significant role in the Stonewall Riots. Marsha P. Johnson, a Black transgender woman, and Sylvia Rivera, a Latina transgender woman, were among the most prominent figures in the uprising. Both later co-founded the Street Transvestite Action Revolutionaries (STAR), an organization dedicated to providing shelter and resources for homeless transgender youth (Asbury Park Press, 2025).

Eyewitness accounts and historical records confirm that transgender individuals were at the forefront of the resistance against police oppression during the raid on the Stonewall Inn in June 1969. Their defiance and activism ignited a movement that has since fought for LGBTQ+ rights across the nation (The New York Times, 2025).

The erasure of transgender history from the Stonewall National Monument is not just a symbolic act—it has real consequences. Historical revisionism that excludes transgender individuals contributes to their continued marginalization and reinforces narratives that deny their existence and struggles. Recognizing the full scope of LGBTQ+ history, including the vital role of transgender people, is essential in ensuring a future where all identities are acknowledged and respected.

LGBTQ+ advocates and historians have called for the National Park Service to restore the original language that included transgender individuals. Preserving the integrity of history is not just about honoring those who fought in the past; it is about ensuring that future generations understand the full truth of the LGBTQ+ rights movement.

References

ABC News. (2025, February 13). Transgender references removed from Stonewall National Monument website. https://abcnews.go.com/US/transgender-references-removed-stonewall-national-monument-website/story?id=118804553

Asbury Park Press. (2025, February 18). Black transgender NJ woman led the Stonewall Uprising. Now her family fights for her. https://www.app.com/story/news/2025/02/18/black-trans-nj-woman-marsha-p-johnson-led-stonewall-uprising/78964198007

CBS News. (2025, February 14). Protests at Stonewall National Monument after “LGBTQ” changed to “LGB” on website. https://www.cbsnews.com/news/stonewall-national-monument-protest-trans-queer-references-removed

NBC News. (2025, February 14). References to transgender and queer removed from Stonewall National Monument’s web page. https://www.nbcnews.com/feature/nbc-out/references-transgender-queer-removed-stonewall-national-monuments-web-page-n1234567

National Park Service. (n.d.). Stonewall National Monument. https://www.nps.gov/ston/index.htm

The Guardian. (2025, February 13). US park service erases references to trans people from Stonewall monument website. https://www.theguardian.com/us-news/2025/feb/13/stonewall-website-transgender

The New York Times. (2025, February 13). U.S. Park Service strikes transgender references from Stonewall website. https://www.nytimes.com/2025/02/13/us/stonewall-national-monument-transgender.html

The Washington Post. (2025, February 14). National Park Service removes transgender references from Stonewall monument website. https://www.washingtonpost.com/national/stonewall-monument-transgender-references-removed/2025/02/14/abc123def456

Reuters. (2025, February 14). Trump erasure of transgender references extends to Stonewall monument website. https://www.reuters.com/world/us/trump-erasure-transgender-references-extends-stonewall-monument-website-2025-02-14/

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